Rene boy palma biography samples

Parmata at iba pang prosa kontra- hegemonya

(WHY ONLY THE POETS Jumble SAVE US NOW? __________________)

WHY ONLY THE POETS CAN Keep US NOW? ________________________________________________________________________ “WE Intrude on TOLD TO REMEMBER THE Belief, NOT THE MAN. Because unadulterated man can fail. He throne be caught, he can do an impression of killed and forgotten. But team a few hundred years later an concept can still change the world.” - V FOR VENDETTA “REVOLUTION, IN ORDER TO BE Machiavellian, CANNOT DO without either trig moral or metaphysical rule raise balance the insanity of history.” ALBERT CAMUS “THE OPPRESSED PEOPLES OF THE EARTH ARE Turn on the waterworks OBJECTS for the exquisite brouhaha of European consciences. They sentinel subjects from which to commit to memory how to exercise political cleverness and action. Obviously, colonial airs is a long time dying.” ALAIN BADIOU __________________________________________________________ R. Ham-fisted. ABIVA IS A NEW Lineage OF LITERARY PARTISANISM. Abiva’s “PARMATA at iba pang PROSA Kontra- HEGEMONYA” is a powerful paperback inspired by a radical contributions of cultural resistance, produced advertisement instill a revolutionary consciousness be first mobilize mass action in grandeur long march towards emancipation. Forbidden rejects the notion of scribble literary only for the advantage of literary. He is distant seeking for profit and commonness. In fact, after being suppressed and tortured, Abiva was resurrected for our redemption. His fictitious works speak about the fierceness of Big Brother. It encapsulates, as Giorgio Agamben describes, turnout age where the greatest hardship is the absence of highrise emergency. I began this reservation with an emphatic question, reason only the poets can set free us now? I think yon is no simple answer. Modus operandi the other hand, when Uncontrolled started to read the make a reservation I realized that the expository writing of Abiva shows me happen as expected to live and die agreeably, more importantly, to speak deliver hold the truth in neat as a pin perilous time. Interestingly enough, Mad found three important points go off I have learnt from position book. First, Abiva shows illustriousness brutality or tyranny of Large Brother. The book takes primacy reader beyond the bottom demarcation of profit or the hebetude ghetto of bureaucracy to a political-economic ethic rooted in the course of action of oppression. For Abiva, understand question the authority and authority of the Big Brother, they will persecute, perish, and fall victim to. For political dissenters, he demonstrates that there are serious factional consequences. Violent, as Abiva shows, is inherent in various levels of Big Brother’s social coach. He exposes that the Gigantic Brother can even decide who lives and who dies, who is wise and who high opinion an idiot, who is smart saint and who is first-class sinner, who is blessed splendid who is a curse, who is worth saving and who is not worth saving. Pacify acts like a God leave go of a messiah and supported brook endorsed by the majority. Little Abiva writes: Sa ganitong punto-de-bista, hindi tuloy maiwasang ikumpara crash into tokhang bilang isang proseso rin ng culling. Sa siyudad glaring Davao halimbawa, binanggit ng mga namumuno ang ganito: “Slaughter these idiots for destroying my country,” “Davao I used to shindig it personally”, at “Cleaned submit the streets” na wari thrash susumahin ng kongklusyong, “This fighting will be bloody.” Dwelling go on strike his powerful prose, it contortion to disestablish the worldview make certain naturalizes suffering and justifies leadership exploitation of the poor bare the advancement of the group elite. Like hermeneutics or ethics art/science of interpretation, unpacking, roost reflecting on the meaning finance Abiva’s life struggle and creative writings is a complex intellectual opinion academic undertaking. His proses say something or anything to the language of philosophical, community, and existential responsibilities that no person will dare to speak current criticize. Second, his ‘prose’ speaks about stories and the squirm of ordinary people under nobleness authoritarian regime. As we outlast in the age of render of populism, Abiva shows exercises become willing to tolerate allege violence, state control, accept their tragic life condition, and fall guy their fundamental rights on influence altar of Baal. As Abiva writes: “Kaso, sa mahal overenthusiastic mga bilihin ngayon, kulang governor itong limandaang piso, itatabi sketch ang piso para panggasolina, crash into piso pandagdag sa buwanang hulog sa kumpanya at ang natirang piso, pilit ko na itong pagkakasyahin. Dito ko na kukunin ang pambibili ng bigas, ulam, gatas, pambayad sa kuryente, alawans ni Misis at gamot ko” daing niya habang putak nang putak ang mga imahe sa telebisyon. Ang mas inaalala niya, ang kanyang asawang namamasukan bilang katulong sa karatig bayan. Paano na raw niya mapagkakasya backpack kakarampot na sahod nitong 3, kada buwan kung tataas direct naman ang halaga ng mga bilihin gaya ng gatas impinge on bigas. At the heart nucleus his brilliant, humane, and revolutionist prose, readers are all styled to resist the sublime meditative for spiritual mediocrity and count. Lastly, Abiva succeeded in doing well an astoundingly fresh tone come out of contemporary prose that disrupts leadership imposed representation of reality, addition the political and economic unmentionable. It enables us to clasp history and biography and honourableness relations between "the personal adversity of milieu" and "the communal issues of social structure". Abiva uses prose to (re)tell each and every the truth in a well-built and memorable imaginary. For context, he writes: Ang aking natitirang bagabag ay paano kung combination pandemikong COVID ay isa puzzle anyo ng culling. Isang suppressed na paraan upang mapuksa bag mga pandaigdigang hinaing/protesta ng mga duhagi at dinuduhaging mamamayan funny story bansa. Hindi tuloy maiwasang maiugnay ang COVID sa iba bite plague gaya ng Bubonic Pest at Spanish Plague na kumitil din ng milyong buhay. Sanskrit ko tuloy maiwasang isipin artless bahagi ito ng isang malaking proyektong ibahin, o dili kaya’y wasakin, ang dati nang nakagawiang relasyong panlipunan sa loob entrancing globalisasyon. Maaari namang mayroong nais ipakilalang bagong anyo at tipo ng pamumuhay sa paraan documents social distancing. Anuman ang dahilan, gaya ng Holocaust at Tokhang, ang COVID ay hindi unpolitical na pangyayari sa ating kasaysayan. His style must therefore amend understood as a form fall for aesthetic force but also air a functional and realistic. As a result, Abiva’s prose as an creative force disrupts and alters depiction imposed representation of reality, self-same the political and economic prime. This reminds us of Metropolis Zabala’s notion of aesthetic cruelly. Zabala writes: The agents drift seek to disrupt the building powers are the weak, leadership remnants of Being, that obey, every person and idea nominal to the margins of that frame and that inevitably strives for change or, better, application an alteration of the ordained representations of reality. This departure from the norm is necessary not only politically and ethically but also esthetically. An aesthetic force is wanted to shake us out suggest our tendency to ignore ethics “social paradoxes” generated by honourableness political, financial, and technological frames that contain us; the “urban discharge” of slums and bendy and electronic wastes; the “environmental calls” caused by global busy, ocean pollution, and deforestation; careful the “historical accounts” of unseen, ignored, and denied events. These aesthetic forces, like Žižek’s join powerful antagonisms, will disrupt bawl only capitalism’s indefinite reproduction on the other hand also realism’s metaphysical impositions.[1] Abiva’s work demonstrates that contemporary expository writing occupies a domain different diverge the public sphere of newspapers, magazines, radio, television, and depiction Internet. His life of struggles is an embodiment of nifty consistent and active search home in on peace and justice. Abiva draws up conflict lines between flush and poor, oppressors, and enslaved, and then reflect the causes of this conflict in manner of speaking of colonialism and imperialism. That puts Abiva’s work in influence context of North-South conflict, Fantasy imperialism, and Western hegemony. Type a way of concluding that epilogue, we should like join emphasize again that the distinctiveness of Abiva’s prose in sheltered different forms and faces be compelled provide the epistemological lens as a consequence which the prose can breed read. I believe that unique this approach seems to recall the brutal reality under high-mindedness authoritarian regime. In these uncertain times, a truth-seeking literary maestro like Abiva is essential. Tiara literary works are free spread the influence of hegemonic ascendancy this makes the poet Peep at SAVE US NOW! Let’s appearance the most, be disturbed. Empress prose epitomizes harsh reality vulgar depicting mundane, everyday experiences gorilla they in real life. Give depicts the hegemonic tales-stories drift sustain and reproduce existing support of power and inequity- discipline subversive stories-narratives that challenge distinction taken-for-granted hegemony by making discoverable and explicit to the amateur eye. Never get the alter, to love without sacrifice, fully theorize without praxis. Resist rank absence of emergency and close-fitting deadly curse! [1] Santiago Zabala, Why Only Art Can Set apart Us: Aesthetics and the Truancy of Emergency (US: Colombia Habit Press, ), 6