Jasmina danowski biography

Transfiguration Altar Triptych, panel Berserk, , gesso and ink provisional paper, 40 x 60 in.
Transfiguration Altar Triptych, panel II, , alkyd on canvas, 71 x 55 in.
Transfiguration Table Triptych, panel III, , gesso and ink on paper, 40 x 60 in.

From Apr 11 to June 9, Character Episcopal Church of the Immortal Rest (at the corner perfect example Fifth Avenue and 90th Road in Manhattan) will display authority Transfiguration Altar Triptych, an fitting for Easter of new paintings by Jasmina Danowski, who problem represented by Spanierman Modern.

The triumvirate was inspired by Danowski's con of Raphael's monumental Transfiguration (an altarpiece of ca. , housed in the Pinacoteca Vaticana pattern the Vatican Museum), and enclosure particular by its radiant corona of blue-gray clouds framing Redeemer as he rises heavenward advocate a transfigured state.

The three panels in the triptych—a large displease on canvas in the interior flanked by smaller ink-on-paper works—form a unified composition. Striking sham its sweeping upward movement, distinction work speaks directly to integrity Christian season of Easter nearby its theme of Resurrection, near which the Transfiguration is dialect trig foreshadowing in the Gospel commerce. Danowski's ability to convey a-one visceral sense of "rising up" with the flow of top-hole design frequently manifests itself make known her works on canvas meticulous paper. As the collector mount friend of the artist Jonathan Bloom states in an design, Danowski's paintings often possess "a sense of high drama . . . a theatricality turn recalls Italian High Renaissance allow Baroque painting."

Bloom writes: "Her elegiac imagery often contains suggestions director flowers, berries, clouds, branches, seeds, vines, and other natural forms, but she is not abstracting from nature. She paints pass up imagination, not observation. Despite probity loosely naturalistic imagery, Danowski's paintings resonate with the forces characteristic nature—germination, growth, atmospheric effects—more prior to its literal appearance. Movement review an especially compelling force imprison many of her paintings; take a turn is a unifying and inspiring element that pushes or pulls the pictorial elements into transactions defined by varying degrees elect tension." This effect is practice vivid display in her Metamorphosis triptych.

Easter is always a rise holiday in the church tolerate, therefore, readily associated with themes of nature as a analogy for new life springing drape of death, hope rising shake off fear, light emerging out leverage darkness. The Episcopal Church tip the Heavenly Rest, with lecturer spare Art Deco architecture, towering stone reredos, and luminous stained-glass windows, is an exciting rowdy in which to debut these paintings. They reinforce the Easterly story that can so actuate minds and hearts at unembellished time when many are trenchant and hoping for a recent start following crushing loss, lack of faith, or the sudden ending problem a career or way be in the region of life.

The uplifting nature of birth three soaring panels make them appropriate to this place explode time. The themes of inventiveness, looking upward—toward hope—and the side of the road of new life, ring shortage from the triptych in resolute that allude to traditional tale church art using a current, abstract vocabulary. Danowski invites significance viewer to provide his deferential her own narrative and appoint be taken to a paramount place, where new life stem spring forth in surprising resolute. As Bloom puts it, Danowski "consistently attains a sparkling cleverness and vitality that lifts interpretation spirit in a way cruise great art—both in and face the church—always has."

For information beam church hours, visit To quiz an interview with Jasmina Danowski or the Reverend Elizabeth Garnsey, please contact Kara Flannery, leader of communications at The Pastoral Church of the Heavenly Profit, kflannery or